Chiesa d'Oro
Bergamot, jasmine, carnation — read like that it sounds simple. Filippo Sorcinelli Chiesa d'Oro is not.


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How it moves
Bergamot hit first, the way an opening line should. Then the heart turns up — jasmine, carnation and damask rose — and the whole thing slows down. What is left hours later is musk, tonka bean, amber, vetiver and vanilla, and that is the part people follow you for.